Malandro Records has done it again. Carlos Malta's Jeitinho Brasileiro has
all the right ingredients to please jazz and pop fans alike. Malta
is known to many as "the man of 7 instruments." When you hear Jeitinho
Brasileiro, you will understand how true that statement is. Malta
is a wizard whether playing the whole saxophone family or the flutes
and piccolos.
Jeitinho Brasileiro is a collection of Brazilian classics
aptly mixed with Malta's own compositions. In addition to his masterful
performances of Pixinguinha and João de Barro's "Carinhoso" and
Ary Barroso's "Isso Aqui o Que É,"
Malta also presents contemporary composers such as Caetano Veloso
("Luz do Sol") among others. Whether with classic
compositions or more recent music, as in the case of Guinga and Aldir
Blanc's "Exasperada," the key element that grabs
your attention in Jeitinho Brasileiro is Malta's artistry
and attention to alluring and appealing arrangements. Whereas "Carinhoso is
more classic -- the Guerra-Peixe String Quartet provides that early
20th century touch -- "Camaleão" is more experimental
and changing.
Here Malta adds some vocal dubs and percussion to bring
out a jungle-like beat. Just like a chameleon, Jeitinho Brasileiro also
changes from track to track. Jane Duboc's haunting vocals in "Luz
do Sol" is ethereal. In contrast with that, "Luz da Lua"
is soft and rich sounding. Having Nico Assumpção's
bass work in that song certainly adds to that deep sensation. Exploring
the variety in several wind instruments, "Bagunçando
o Meu Coreto" is a jovial and fun frevo
supported by Malta's own Coreto Urbano group. Giving continuity
to the sounds of the northeast of Brazil, Malta then invites Lenine,
one of Brazil's leading song writers from the state of Pernambuco.
With Jackson do Pandeiro's "Morena Bela,"
Lenine is joined by Pife Muderno, a group of percussion and flute
headed by Malta himself. Lenine's solo is tribal and intense. This
is what Malta refers to as "jungle fife." "Morena Bela" performance
is simply outstanding. You will not be able to forget that song.
Another remarkable number is the duet between Malta's bamboo flute
and Guinga's guitar in "Exasperada." The lyric guitar solo is
enhanced by the anguished sounds of the bamboo flute. The result
again is truly exquisite and touching.
Jeitinho Brasileiro is as rich and varied as Brazil. Malta
is capable of presenting a diverse repertoire with ease and competence.
He knows how to get the most out of his instruments, a trait only
found in consummate performers.
You can also read my interview with Carlos Malta here (in
Portuguese only). Malta talks about his career, this album and other
projects. This album was originally released in Brazil under the
title O
Escultor do Vento.

Egídio Leitão
May 2004
A modified version of this review first appeared in Luna Kafé, November
1998.