Jorge Aragão is samba. He started a successful career in the
70's, and recorded his first album in 1982.
In the series "Ao Vivo Convida" this
album gives an overview of Jorge's accomplishments these past decades.
The album opens with the prestigious Heitor Villa-Lobos composition
"Ária Cantilena Nr. 1 das Bachianas Brasileiras Nr. 5,"
followed by a surprising way to perform a samba. The song "Moleque
Atrevido" is sung a cappella first, then adding the instruments
and vocal choir every good samba needs. Among the guests Jorge invited
is of course Elza Soares, who (by recording "Malandro")
put his name on the list of composers in Brazil. She adds her typical
Louis Armstrong influenced vocals on a rendition of the old classic
on this concert event. Zeca Pagodinho is the next guest on the wonderful
samba "Mutirão de Amor"; it brings you back to Rio,
wherever you are. Young pop singer Jorge Vercilo gets a chance to
gain fame when he joins Jorge on the samba ballad "Encontro das
Águas." "Lucidez" is an enjoyable samba, that
has the power to spin around in your head for a while. Alcione adds
tradition to the slow samba "Enredo do Meu Samba." As does
Beth Carvalho in double tempo on the medley "Coisinha do Pai"
and "Vou Festejar." Not disturbed by complicated lyrics,
this is just samba to dance on; although the arrangement (as far as
there is one) sounds a bit chaotic at some times. The Quarteto de
Cordas makes an odd entrance with the instrumental samba rendition
of Gounod's "Ave Maria," a contrast with the pop samba Emílio
Santiago appears with. Jorge sounds like he has difficulties adjusting
to Emílio's key. But it all turns out fine, with a gently babbling
samba. A nice surprise is the presence of the Filhos de Gandhy choir
on the lovely "Eu e Você Sempre". Jorge sings alone,
accompanied only by a pounding samba percussion, until everyone's
joining in again for a repetition of the lyrics.
Other guests feature Martinho da Villa and Leci
Brandão. The band has the usual line-up for this kind of samba:
drums, bass, banjo, acoustic guitar, keys and a lot of percussion.
A pleasant album, not pretentious of reaching
anything else but the joy of a few sambas.